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New netflix movies jake gyllenhaal7/14/2023 And while Fuqua’s smart directorial choices are one reason for this, Gyllenhaal’s terrific performance is captivating. Being in his point of view and watching the film unfold in real-time adds a sense of urgency, desperation, and helplessness. There are many twists and turns that we only hear through calls that come through with the brilliant immersive sound design that puts us firmly in Joe’s point of view. That change alone validates the American version’s existence. However, in the background of all this - and throughout the screenplay written by True Detective’s Nic Pizzolatto - the wildfires and general distrust in the police loom large. That part of the plot is similar to the Danish version. Unfolding in real-time and the most intense episode of Law & Order: SVU, Joe realizes that Emily was taken against her will by her estranged husband Henry (Paul Dano) leaving her six-year-old daughter and infant son alone at home.Ĭoordinating with the California Highway Patrol, his partner Jim (Eli Goree), and various others and armed only with the information in the police database, Joe attempts to find Emily before it’s too late. He regularly snaps at co-workers, has coughing bouts that are caused by the wildfire smoke in the air (and maybe something more mental), and regularly pushes the boundaries of his job often talking back at 911 callers.Īnd that’s why when a woman named Emily (Riley Keough) calls feigning talking to her child Joe takes it upon himself to solve the case. The reason for his suspension is kept close to the vest, however, Joe’s discontentment with the situation is not. Jake Gyllenhaal plays Joe, a former police officer relegated to 911 dispatch duty pending his trial. Rather, he filters the original’s plot through a distinctly American - and Fuqua - lens. He’s too singular of a filmmaker for that. That’s not the case with Antione Fuqua’s adaptation, which premiered at the 2021 Toronto International Film Festival.įuqua, best known for his thrillers and directing Denzel Washington to an Oscar for Training Day, doesn’t set out to recreate the Danish film. And more often than not, it’s because the studios commissioning these films don’t understand what makes them successful in the first place. The trend of making English-language versions of acclaimed and successful foreign films has been picking up steam to mostly negative results - I’m looking at you Downhill. The Guilty, a remake of the 2018 Danish film of the same name, is a masterclass in adapting a non-English language film for American audiences. Jake Gyllenhaal has officially entered the Oscar race. However, it elevates itself by also acting as a character study and indictment on policing and toxic masculinity. The Guilty is a tense, innovative, and constantly twisting police procedural that unfolds in real-time and solely through phone calls to incredible effect.
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